We continue to explore Bushido's major principles, concepts, and values as articulated in the classic 1899 Japanese text, Bushido: The Soul of Japan, by Inazo Nitobe, and evaluate their applicability in today's modern world. Bushido: The Soul of Japan is one of the first major works on samurai ethics and Japanese culture. It is considered by some to be the first collective statement of what is commonly referred to as the Seven Virtues of Bushido.
Nitobe offers for consideration seven virtues of Bushido that attempt to illustrate the philosophical values of the samurai. However, it should be recognized that there are not, in truth, seven virtues of Bushido. This is only Nitobe's subjective articulation of samurai culture and it is little more than an artificial construct. Other academics like Nitobe or practitioners of Bushido could easily and perhaps in an equally comprehensively fashion offer four, ten, or even one-hundred virtues of Bushido. Furthermore, the seven virtues presented here are concentric. That is, each value overlaps with and is influenced by another. No single virtue of Bushido exists or can exist by itself. Remember, all systems, including Bushido, Aikido, or any other, are ultimately artificial. The holistic nature of any system of values is unlikely to be comprehensively articulated in written language. Some virtues transcend written word. Nonetheless, we will attempt to explore each thoroughly.
To read more, visit the main article here.
Tuesday, November 24, 2009
Thursday, November 19, 2009
Politeness is Power, an Unexpected Connection
A Critical Review of the Classic Samurai Text: Bushido, The Soul of Japan by Inazo Nitobe
Part 5: Politeness (Rei), Politeness is Power in Repose
Article by Sean Hannon
We continue to explore Bushido's major principles, concepts, and values as articulated in the classic 1899 Japanese text, Bushido: The Soul of Japan, by Inazo Nitobe, and evaluate their applicability in today's modern world. Bushido: The Soul of Japan is one of the first major works on samurai ethics and Japanese culture. It is considered by some to be the first collective statement of what is commonly referred to as the Seven Virtues of Bushido.
Nitobe offers for consideration seven virtues of Bushido that attempt to illustrate the philosophical values of the samurai. However, it should be recognized that there are not, in truth, seven virtues of Bushido. This is only Nitobe's subjective articulation of samurai culture and it is little more than an artificial construct. Other academics like Nitobe or practitioners of Bushido could easily and perhaps in an equally comprehensively fashion offer four, ten, or even one-hundred virtues of Bushido. Furthermore, the seven virtues presented here are concentric. That is, each value overlaps with and is influenced by another. No single virtue of Bushido exists or can exist by itself. Remember, all systems, including Bushido, Aikido, or any other, are ultimately artificial. The holistic nature of any system of values is unlikely to be comprehensively articulated in written language. Some virtues transcend written word. Nonetheless, we will attempt to explore each thoroughly.
To read more, visit the main article here.
Nitobe offers for consideration seven virtues of Bushido that attempt to illustrate the philosophical values of the samurai. However, it should be recognized that there are not, in truth, seven virtues of Bushido. This is only Nitobe's subjective articulation of samurai culture and it is little more than an artificial construct. Other academics like Nitobe or practitioners of Bushido could easily and perhaps in an equally comprehensively fashion offer four, ten, or even one-hundred virtues of Bushido. Furthermore, the seven virtues presented here are concentric. That is, each value overlaps with and is influenced by another. No single virtue of Bushido exists or can exist by itself. Remember, all systems, including Bushido, Aikido, or any other, are ultimately artificial. The holistic nature of any system of values is unlikely to be comprehensively articulated in written language. Some virtues transcend written word. Nonetheless, we will attempt to explore each thoroughly.
To read more, visit the main article here.
Thursday, November 5, 2009
Beyond Golden Clouds: Japanese Screens


Student Visits Japanese Art Exhibit in Chicago
In September, Castle Rock AIKIDO student, Sean Hannon, was stuck in Chicago during a layover and had just barely enough time to pop into The Art Institute of Chicago to visit their featured exhibit on decorative, Japanese Screens called: Beyond Golden Clouds.
It was a powerful exhibit with perhaps nearly one hundred different, folding Japanese screens called "byōbu" from as far back as the 15th century. Although photography was not permitted, the exhibit still left visitors with a profound appreciation for this long time, traditional artwork.
Like many Japanese arts and crafts, folding screens originated in China; prototypes dating back to the Han dynasty have been found. The term "byōbu" means figuratively "protection from wind", which suggests that the original purpose of byōbu was blocking drafts. Byōbu were introduced in Japan in the eighth century, when Japanese craftsmen started making their own byōbu, highly influenced by Chinese patterns.
Read more about the Golden Clouds exhibit HERE.
Also at the museum, unrelated to the Golden Clouds exhibit, was a more modest, but equally moving, Japanese art exhibit. In the Asian arts wing of the museum was a beautiful exhibit exclusively feating the works of Japanese woodblock print artist, Ito Shinsui (1898-1972). Shinsui was one of the great names of the shin hanga art movement, which revitalized the traditional wookblock style art after it began to decline with the advent of photography in the early 20th century. Shinsui is best known for his numerous, reflective portraits of Japanese women, but his seasonal landscape are equally captivating and were also featured in this exhibit.
The exhibit's summary sign stated that Frank Lloyd Wright was greatly inspired by the works of Shinsui. In fact, one of Shinsui's most famous pieces, Before the Mirror, (pictured above) is soon to be hung in our dojo lobby.
Learn more about Ito Shinsui HERE.
It was a powerful exhibit with perhaps nearly one hundred different, folding Japanese screens called "byōbu" from as far back as the 15th century. Although photography was not permitted, the exhibit still left visitors with a profound appreciation for this long time, traditional artwork.
Like many Japanese arts and crafts, folding screens originated in China; prototypes dating back to the Han dynasty have been found. The term "byōbu" means figuratively "protection from wind", which suggests that the original purpose of byōbu was blocking drafts. Byōbu were introduced in Japan in the eighth century, when Japanese craftsmen started making their own byōbu, highly influenced by Chinese patterns.
Read more about the Golden Clouds exhibit HERE.
Also at the museum, unrelated to the Golden Clouds exhibit, was a more modest, but equally moving, Japanese art exhibit. In the Asian arts wing of the museum was a beautiful exhibit exclusively feating the works of Japanese woodblock print artist, Ito Shinsui (1898-1972). Shinsui was one of the great names of the shin hanga art movement, which revitalized the traditional wookblock style art after it began to decline with the advent of photography in the early 20th century. Shinsui is best known for his numerous, reflective portraits of Japanese women, but his seasonal landscape are equally captivating and were also featured in this exhibit.
The exhibit's summary sign stated that Frank Lloyd Wright was greatly inspired by the works of Shinsui. In fact, one of Shinsui's most famous pieces, Before the Mirror, (pictured above) is soon to be hung in our dojo lobby.
Learn more about Ito Shinsui HERE.
Tuesday, November 3, 2009
Review of the Seven Virtues of Samurai Bushido text, part 3: Courage
Part Three: Courage - Doing the Hard Thing
We continue to explore Bushido's major principles, concepts, and values as articulated in the classic 1899 Japanese text, Bushido: The Soul of Japan, by Inazo Nitobe, and evaluate their applicability in today's modern world. Bushido: The Soul of Japan is one of the first major works on samurai ethics and Japanese culture. It is considered by some to be the first collective statement of what is commonly referred to as the Seven Virtues of Bushido.
Nitobe offers for consideration seven virtues of Bushido that attempt to illustrate the philosophical values of the samurai. However, it should be recognized that there are not, in truth, seven virtues of Bushido. This is only Nitobe's subjective articulation of samurai culture and it is little more than an artificial construct. Other academics like Nitobe or practitioners of Bushido could easily and perhaps in an equally comprehensively fashion offer four, ten, or even one-hundred virtues of Bushido. Furthermore, the seven virtues presented here are concentric. That is, each value overlaps with and is influenced by another. No single virtue of Bushido exists or can exist by itself. Remember, all systems, including Bushido, Aikido, or any other, are ultimately artificial. The holistic nature of any system of values is unlikely to be comprehensively articulated in written language. Some virtues transcend written word. Nonetheless, we will attempt to explore each thoroughly.
Read the full article here.
We continue to explore Bushido's major principles, concepts, and values as articulated in the classic 1899 Japanese text, Bushido: The Soul of Japan, by Inazo Nitobe, and evaluate their applicability in today's modern world. Bushido: The Soul of Japan is one of the first major works on samurai ethics and Japanese culture. It is considered by some to be the first collective statement of what is commonly referred to as the Seven Virtues of Bushido.
Nitobe offers for consideration seven virtues of Bushido that attempt to illustrate the philosophical values of the samurai. However, it should be recognized that there are not, in truth, seven virtues of Bushido. This is only Nitobe's subjective articulation of samurai culture and it is little more than an artificial construct. Other academics like Nitobe or practitioners of Bushido could easily and perhaps in an equally comprehensively fashion offer four, ten, or even one-hundred virtues of Bushido. Furthermore, the seven virtues presented here are concentric. That is, each value overlaps with and is influenced by another. No single virtue of Bushido exists or can exist by itself. Remember, all systems, including Bushido, Aikido, or any other, are ultimately artificial. The holistic nature of any system of values is unlikely to be comprehensively articulated in written language. Some virtues transcend written word. Nonetheless, we will attempt to explore each thoroughly.
Read the full article here.
Tuesday, October 27, 2009
Aikido Q & A with Harris Sensei
Q: Will I hold back an advanced student if we train together?
A: I have often observed in my many years of training, practicing, and teaching Aikido that many beginner or inexperienced Aikido students seem to be intimidated when training with a more advanced student. At seminars and large classes, I often see less experienced students (perhaps subconsciously) pairing themselves with other less experienced students, and conversely more advanced aikidoka pairing themselves with others of the same level. This is very unfortunate, as both beginners and more advanced students can learn from each other.
A less experienced student can learn much from experiencing first-hand how more advanced students move and perform a particular technique. A more advanced student with the proper attitude should have the desire to impart his or her Aikido knowledge and help less experienced students learn and become more proficient. Hopefully every seminar, class or practice of a particular technique is a learning experience for both partners in their role of Nage or Uke.
That being said however, it is true that many more advanced Aikido students (a.k.a. Aikidoka) prefer to practice with others of the same level - especially when practicing more advanced techniques - because then they can do it faster and more advanced method. It is also probably true that many less experienced students feel more comfortable practicing with others of the same level. However, sometimes two inexperienced students trying to understand the mechanics of a technique is like a "blind-man-leading-blind-man" situation. Neither understands clearly the mechanics of the situation without more instruction from the Sensei. A good Sensei will usually overcome this propensity to pair up with others of the same level by periodically asking students to change partners.
So, getting back to the question; a less experienced student should not feel they are holding back a more advanced student by asking them to practice with them. OSensei said, "Failure is the key to success; each mistake teaches us something." He also said, "Progress comes to those who train and train..." Beginner and advanced aikidoka training together is a win-win learning situation for both.
A: I have often observed in my many years of training, practicing, and teaching Aikido that many beginner or inexperienced Aikido students seem to be intimidated when training with a more advanced student. At seminars and large classes, I often see less experienced students (perhaps subconsciously) pairing themselves with other less experienced students, and conversely more advanced aikidoka pairing themselves with others of the same level. This is very unfortunate, as both beginners and more advanced students can learn from each other.
A less experienced student can learn much from experiencing first-hand how more advanced students move and perform a particular technique. A more advanced student with the proper attitude should have the desire to impart his or her Aikido knowledge and help less experienced students learn and become more proficient. Hopefully every seminar, class or practice of a particular technique is a learning experience for both partners in their role of Nage or Uke.
That being said however, it is true that many more advanced Aikido students (a.k.a. Aikidoka) prefer to practice with others of the same level - especially when practicing more advanced techniques - because then they can do it faster and more advanced method. It is also probably true that many less experienced students feel more comfortable practicing with others of the same level. However, sometimes two inexperienced students trying to understand the mechanics of a technique is like a "blind-man-leading-blind-man" situation. Neither understands clearly the mechanics of the situation without more instruction from the Sensei. A good Sensei will usually overcome this propensity to pair up with others of the same level by periodically asking students to change partners.
So, getting back to the question; a less experienced student should not feel they are holding back a more advanced student by asking them to practice with them. OSensei said, "Failure is the key to success; each mistake teaches us something." He also said, "Progress comes to those who train and train..." Beginner and advanced aikidoka training together is a win-win learning situation for both.
Monday, October 12, 2009
The Governor Who Protected Japanese-Americans
A few months ago, twelve-time Emmy award winning television reporter Adam Schrager from NBC affiliate 9News in Denver spoke at the Parker Library on his new book, The Principled Politician: The Ralph Carr Story.
The Principled Politician is the true story of a forgotten Republican Governor of Colorado who took an unpopular stance against ignorance and bigotry toward the treatment of Japanese-Americans after Pearl Harbor. A stance that would ultimately cost him his career.
Between the years 1942 and 1945, over one-hundred twenty thousand people of Japanese descent from the West Coast of the United States, most of who were American citizens, were rounded up and placed in internment camps. One such camp was Camp Amache in South East Colorado, near the town of Grenada. Governor Carr vehemently objected to President Franklin D. Roosevelt's Executive Order 9066, which required any person of Japanese descent to be relocated to internment camps. Carr believed that such a directive was unnecessary and violated the Constitutional rights of many American citizens of Japanese descent.
Governor Carr received threats of impeachment, unrelenting criticism in the press, and non-stop phone calls to the Governor's residence from scared Colorado citizens for his outspoken stance on protecting who The Denver Post even described as the "yellow devils." Schrager asked, "Who stands up when everyone else sits down?" The answer, in this age of fear not unlike today's post-9/11 age of fear, is Ralph Carr. "Ralph Carr represented the best of humanity at the worst of times," Schrager continued. "He was a man of principle - a man who did the right thing even when it was the unpopular thing."
The Principled Politician details one man's crusade to stand up in the face of overwhelming fear, racism, and a lack of leadership. Carr believed that if the principles of the Constitution are not upheld for everyone one, then they won't hold up for anyone. Through his politically incorrect and unpopular position, Carr believed that he was standing up for the rights of every American, not just those of Japanese-Americans. He was often quoted as saying, "Principles are as true as truth."
Before being elected Governor, Carr predicted, "If elected Governor, I will probably become the most hated man in Colorado because I intend to follow my principles... I see it as my job to direct public opinion, not to follow it."
Prior to the events on December 7, 1941, Carr was being seriously discussed as a future Republican Presidential candidate, but Carr lost his 1942 reelection campaign in one of the closest gubernatorial races in Colorado history. He asked, "What are we fighting for abroad, if not for these very ideals at home?" Carr showed Coloradoans a faith that Coloradoans did not reciprocate. Schrager was reminded of the old adage spoken by repeatedly unsuccessful Presidential candidate, Henry Clay, "It is better to be right, than be President," and he suggested that perhaps we should remember Carr in this context.
I asked, Schrager why this issue was important enough to him to write an entire book on the subject. He responded with a famous quote from Lester Lave, "People deserve the government they get and get the government they deserve." He then added, "I would like to see a world where politicians do the right thing instead of the popular thing. Principled politicians like Governor Carr should be the rule and not the exception."
A bust of Governor Carr stands in Denver's Sakura Square, near 19th and Lawrence St. in commemoration of his efforts on behalf of Japanese-Americans. Part of the inscription reads, "A tribute to his unflinching Americanism."
How did Carr remain so sold, focused, logical, and rational during a time of great fear? Why was he one of the only US representatives willing to defend the constitutional rights of Japanese-Americans? The answers to these questions may perhaps reveal the most admirable qualities of great leaders, like Governor Carr, who frequently go unrecognized and unacknowledged. Schrager's book is a long overdue tribute to this man's character.
The Principled Politician: The Ralph Carr Story is published by Fulcrum Publishing out of Golden, Colorado.
You can order the book from Amazon.com by clicking HERE.
Visit Adam Schrager's web site.
Saturday, October 10, 2009
The Purpose of Practicing Iaido: A Japanese Samurai Sword Art

The purpose of practicing Iaido is:
To mold the mind and body;
To cultivate a vigorous spirit;
And, through correct and rigid training,
To strive for improvement in the art of Iaido;
To hold in esteem human courtesy and honor;
To associate with others with sincerity;
And, to forever pursue the cultivation of oneself.
This will make one be able to love his country and society;
To contribute to the development of culture;
And to promote peace and prosperity among all people.
To mold the mind and body;
To cultivate a vigorous spirit;
And, through correct and rigid training,
To strive for improvement in the art of Iaido;
To hold in esteem human courtesy and honor;
To associate with others with sincerity;
And, to forever pursue the cultivation of oneself.
This will make one be able to love his country and society;
To contribute to the development of culture;
And to promote peace and prosperity among all people.
- from by Iwakabe, Hideki Sensei, 6th Degree Black Belt
Castle Rock AIKIDO also has an Iaido program. Click here to learn more about this Japanese samurai sword discipline.
Labels:
iado,
iai,
mind body exercise,
purpose of Iaido
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